博主公开 Gemini 4 水墨武侠视频完整提示词，分模块锁定角色与镜头

昨天看到这个Gemini 4 Argon vs Opus 5.5 的镜头对比，今天就看到higgsfield 也发了。

好多人问提示词，我把完整提示词发给你们👇🏻：

① Gemini 4

STYLE Traditional Chinese ink-wash animation fused with classical picture-book illustration and Eastern folk fantasy. Everything appears painted on visibly textured xuan rice paper: real brush strokes, soft ink bleeds, dry-brush "flying white" streaks, generous empty negative space. Mountains, bamboo, river and mist rendered in layered Song-dynasty landscape ink tones. Palette dominated by ink grey and rice-paper white; the ONLY strong colors are the girl's vermilion robe and the sword's fine gold details. No realistic motion blur — all high-speed motion is expressed as ink trails dragged by a fast brush, dry-brush streaks and splattered ink dots. Hand-painted, 2D, painterly, no 3D render look. CHARACTER LOCK Young girl, around 16, slender and agile. Vermilion-red traditional hanfu-style robe with wide flowing sleeves, cinched waist sash. One long single braid tied with a red ribbon. Delicate ink-line face, sharp bright eyes. Consistent design across all shots. PROP LOCK Slim straight jian sword, silver-grey blade with gold guard, gold hilt ornaments and faint gold glow along the edge. A folded paper letter tied to the hilt with red string — stays attached the entire video. EXPRESSION TRACK 0–2s startled wide eyes → 2–6s gritted teeth, squinting against wind → 6–9s fierce focus, narrowed eyes → 9–11s strained determination while climbing → 11–13s breathless awe, lips parted, eyes widening → 13–15s calm confident smile, eyes locked on target. SHOT SEQUENCE [0–2s] Medium shot, rooftop of an old mountain house, grey tiled eaves. The girl finishes tying the letter to the hovering sword — it suddenly jolts and shoots off the eave with a "whoosh." She lunges and grabs the hilt; she is yanked off the roof, feet scraping across tiles, scattering ink-dot debris, then lifted into empty air. [2–4s] Low tracking shot skimming a winding river. The sword speeds forward just above the water, the girl dragged behind, sleeves and braid whipping like vermilion brush strokes. The blade tip slices the surface, drawing a long ink line and bursts of white paper-toned spray. [4–6s] Fast follow shot plunging into a dense bamboo forest. Rapid left-right swerves between tightly packed ink bamboo stalks; the girl tucks and ducks, a few bamboo leaves brush past her cheek. Dry-brush streak trails behind them. [6–8s] A cliff face rushes toward camera; the sword dives into a narrow cave without slowing. Screen goes nearly black — only the gold glint of the blade and flashes of red robe streak through darkness. Immediately bursts out of the cave mouth, grazing a massive ink-wash waterfall; sword energy splits the falling water, droplets explode into scattering ink dots. [8–11s] The sword snaps 90 degrees upward, racing vertically along a towering cliff wall. The girl is nearly flung off, flips mid-air, clamps onto the blade, and claws her way up against violent wind until she plants both feet and stands firmly on the sword. Camera looks down the sheer drop beneath her. [11–13s] The sword pierces a thick sea of clouds. Sudden silence. A vast pale rice-paper sky opens; layered ink mountains float above the cloud sea. The girl looks up as mist slowly parts — revealing an enormous ancient Eastern city floating atop the peaks, golden lanterns lighting up one by one along walls and roof eaves. [13–15s] Close-up: she crouches low, gripping the letter still tied to the sword. The sword accelerates again. Wide shot: girl and sword become a single stroke of vermilion and gold, streaking straight toward the city's colossal gate. End mid-motion at full speed — no stop, no resolution. AUDIO 0–11s: sharp sword whoosh, roaring wind, rushing water hiss, bamboo swishes, echoing cave boom, crashing waterfall, driving guzheng and taiko percussion. 11s: abrupt cut to near-silence, soft wind and a single sustained xiao flute note. 13–15s: rising orchestral swell with guzheng glissando, sword whoosh returns and builds, cut on the peak. NEGATIVE realistic motion blur, 3D CGI look, photorealism, saturated colors beyond red and gold, modern elements, text, watermark, character design drift, letter disappearing. ----------------------------------- ② Opus 5.5 Traditional Chinese ink animation blended with a classical illustrated storybook and Eastern folk fantasy. The entire world appears painted on visibly textured xuan paper. Preserve expressive brushstrokes, layered ink washes, wet-ink bleeding, dry-brush gaps, scattered ink droplets, and generous areas of untouched paper. Mountains, bamboo, rivers, waterfalls, and clouds have the depth and restrained elegance of a Song-dynasty landscape painting. The dominant colors are ink gray and warm paper white. The girl’s vermilion robe and the sword’s fine gold details are the clearest color accents. During fast movement, use sweeping brush marks, dry-brush streaks, and ink splashes as motion trails. Avoid photographic motion blur, glossy 3D rendering, and realistic live-action textures. **Fixed subjects** One young female messenger wears a distinctive vermilion robe with wide sleeves. She has one long dark braid and a small dark sash at her waist. Her face, clothing, braid, and proportions remain consistent. Her movements progress from startled improvisation to determined control. One long, straight flying sword has an ink-dark hilt, a narrow silver-gray blade, and delicate gold engraving near the guard and along the central ridge. It remains a sword throughout, with no wings or mechanical parts. A single folded cream-colored letter is securely tied just behind the sword’s guard with a short red cord. The same letter stays attached and visible during the entire journey. It never becomes a scroll, duplicates, or falls away. **0.0–2.2 seconds — A departure that goes wrong** Start directly on the sloped roof of a mountain house. The girl has just finished fastening the letter to the hovering sword. Before she can step back, the sword jerks forward and shoots beneath the eaves. She reacts instantly and catches the hilt with one hand. Her shoes scrape across two roof tiles; her other hand grabs the hilt as the sword drags her off the roof. Her feet clear the edge and swing into open air. Vermilion sleeves and her long braid snap backward like two vigorous red brushstrokes. Keep the camera close and moving with her. There is no introductory landscape shot or pause before the flight. **2.2–4.4 seconds — River and bamboo** The sword races low above a winding ink-painted river, with the girl stretched behind it and holding on with both hands. Its tip skims the water, drawing a long, dark ink line across the pale surface. White splashes rise along the line and break into small brush flecks. The sword banks sharply into a dense bamboo grove. The camera follows at her height as green-gray bamboo trunks pass in quick alternating layers. The sword makes two clear left-right turns. She pulls her knees close to her body to avoid the stalks; several leaves graze past her cheek and sleeve without striking her. Foreground bamboo briefly wipes across the frame to carry the camera into the next space. **4.4–6.6 seconds — Mountain tunnel and waterfall** A mountain wall rapidly fills the frame. Without slowing, the sword enters a narrow cave opening. The image becomes nearly black ink for a moment, broken only by a restrained gold glint along the sword and the girl’s red robe flashing between rock edges. Follow them continuously through the short tunnel. Daylight appears ahead, and they burst out beside an immense waterfall. The sword passes close enough for its wake to split the painted waterfall into two flowing sheets. White droplets scatter across the paper, then turn into suspended ink dots as the girl and sword race past. The spray crosses the lens for a brief natural transition. **6.6–10.0 seconds — The vertical climb** Immediately beyond the waterfall, the sword pitches upward approximately ninety degrees and climbs the sheer mountain face. Make the change in direction abrupt and forceful, but show the sword’s continuous trajectory. The girl’s body swings downward. She nearly loses her grip, then tightens both hands around the hilt. The camera tracks upward parallel to the cliff as rock ledges and ink-wash pines rush downward behind her. She pulls her chest toward the blade’s base, shifts one knee over it, and carefully moves her weight above the sword while it continues climbing. In one continuous effort she rises into a low standing stance with both feet securely placed on the broad rear section of the flying blade. She steadies herself with bent knees, one hand close to the guard. Her braid and sleeves continue streaming in the wind. The sword pierces a thick bank of cloud. Its gold-edged tip opens a narrow passage through layered white paper and pale-gray ink. **10.0–12.6 seconds — The city above the clouds** As they emerge, the loud rushing wind drops to a soft hush. The sword still moves forward, but its motion briefly becomes smooth enough for the discovery to register. A wide, pale sky opens like an untouched sheet of xuan paper. Layered ink mountains rise through a vast sea of clouds. The girl lifts her head. The clouds ahead part gradually to reveal an immense ancient Eastern city suspended among the peaks. Successive ink-painted walls, towers, curved rooflines, bridges, and monumental gates establish its extraordinary scale. Small gold lights ignite in sequence along the walls and eaves, drawing a clear route toward the main gate. Use a wide moving shot that keeps the girl and sword relatively small against the city. Preserve the landscape’s open space and painted-paper texture. **12.6–15.0 seconds — Delivery continues** The girl checks that the cream-colored letter remains tied behind the guard, then lowers into a stable forward stance and grips the sword firmly. Her expression turns focused. The sword accelerates again. Follow from slightly behind and to the side as girl and sword become a long, energetic vermilion-and-gold brushstroke crossing the pale clouds toward the city’s enormous gate. The gates grow rapidly larger; gold lights and ink-wash towers sweep past at different depths. End while they are still flying at full speed toward the entrance. Do not show arrival, delivery, a stop, a pose, or a fade to black. **Camera and sound** Give the sequence the continuity of one fast flight, using bamboo trunks, cave darkness, waterfall spray, and clouds as motivated visual transitions. Camera movement should remain fluid and spatially clear: close pursuit over the river, agile tracking through bamboo, a vertical climb beside the cliff, then a moving wide reveal above the clouds. Keep the girl, sword, and letter readable even when the painted environment moves quickly. Synchronize sound with action: a sharp sword whoosh at takeoff, scraping roof tiles, low river rush, bamboo leaves whipping past, a brief cave echo, a broad waterfall roar, forceful wind during the vertical climb, and a sudden quiet above the clouds. Use restrained guqin, bamboo flute, light percussion, and warm sustained strings; allow the city reveal to breathe before the final acceleration. No dialogue or narration. Maintain the same girl, one sword, and one attached letter in every shot. The girl must always hold or stand on the sword with visible physical contact. No extra weapons, additional passengers, duplicated limbs, vanishing braid, changing robe, detached letter, modern buildings, glowing energy beams, subtitles, logos, or watermarks.